Avi Nesher's intelligent, warm, and tangled comedy takes its characters and its audience seriously. Very enjoyable and warmly recommended.
Young Margo Mai (Suzanna Pappian) has outstayed her welcome as a permanent couch-surfer at her sister and brother-in-law's home. She has to at least demonstrate a willingness to earn a living and look for more appropriate lodgings.
While her real interest is gaining access to the trendiest clubs in town, she decides to apply for the advertised job of assistant with the spectacularly successless left-wing Israeli author Amitai Kariv (Adir Miller), for which she is eminently unqualified. Modern literature is decidedly not her passion, so she reckons there is no chance she will be hired.
Kariv lives in an inherited and somewhat dilapidated property that contains in its gardens the Monkey House of the film's title. The Monkey House stands empty, but the erstwhile menagerie it contained may just remind one of the characters making up Israel's literary scene.
Kariv would like to belatedly conquer the heart of the recently widowed Tamar (Shani Cohen) whom he has always desired without daring to make a move on her. But then, an apparent lucky break, gives him some confidence to feel worthy of her romantic attention after all: a young Israeli PhD student studying at a US university informs him that she intends to make Kariv the subject of her PhD thesis. She will publish a literary biography. Finally, it seems Kariv standing on the Israeli literary scene is about to receive the longed-for boost.
His being subject of the thesis is indeed why Kariv placed the advert for an assistant to help provide the PhD student with requisite information about his life and work, which Mai has responded to. Add into this mix Amir (Ala Dakka), an internationally known documentary filmmaker, living in Italy. For good reason, Amir has ambivalent feelings about his Israeliness as he returns in search of a subject for a new documentary film.
These and other characters bring along their overt and hidden agendas that move the plot forward - and as Sir Walter Scott aptly put it in rhyme: "Oh what a tangled web we weave when first we practice to deceive".
Avi Nesher has written and directed a highly, observant comedy/drama/whodunnit playing in the bonfire of vanities that is the business of literature and film. Intellectual aspirations, love, envy, and credulity collide in a most entertaining way. While he makes fun of his characters' foibles, Nesher manages to make us feel sympathy for them, too. The setting of the Monkey House has an Italo-Israeli feel about it, but the story it tells has universal relevance and appeal.
Nesher has also managed to assemble an excellently cast ensemble of actors led by the excellent Adir Miller, Shani Cohen and Ala Dakka. The talented Suzanna Pappian shines with her energetic performance.
An intelligent, warm, and tangled comedy which takes its characters and its audience seriously. Very enjoyable and warmly recommended.