"Tully" succeeds as a personal drama with funny moments that puts the spotlight on the experience of a woman in an educated middle-class household in the US trying to raise kids and manage a family. Charlize Theron's understated performance as Marlo, a wife and mother on the edge of a nervous breakdown, trying to hold it together is outstanding.
Marlo (Charlize Theron) and her husband Drew (Ron Livingstone) live in the suburbs near New York City. They are in their late 30s and have two young children Emmy (Maddie Dixon –Poirier) and Jonah (Asher Miles Fallica), who has mild behavioural problems, and a third child is on the way. Like many middle-class families Marlo and Drew are just about managing financially. Drew is absorbed in his work project, while Marlo is struggling with her pregnancy and running the household. When Marlo’s financially successful brother Craig (Mark Duplass) offers to pay for a “night-nanny” to help Marlo through the first weeks of the baby’s arrival, she first says no, but later changes her mind. Tully (McKenzie Davies), the young attractive night-nanny arrives and not only takes care the new baby but also of Marlo. Thanks to Tully taking care of her physically and spiritually, Marlo for the first time in a long while has time to take a breath and think about herself and assess her situation in a new light. As Marlo revisits her life and younger self she becomes ever more confident and adventurous; but gradually her initiatives start to cross conventional lines and not only Drew is starting to question where all this will lead….
"Tully" succeeds as a personal drama with funny moments that puts the spotlight on the experience of a woman in an educated middle-class household in the US trying to raise kids and manage a family. Meanwhile her husband struggles to provide the financial means, a good university education and an expert-level white collar job. This being an American film, it simultaneously questions and celebrates the virtue of self-reliance rather than engaging in social criticism let alone in questioning of the economic system. In Europe, one cannot help but compare the situation Marlo finds herself in, with women in countries such as Sweden where generous provisions for parental leave are designed to give both mothers and fathers sufficient time and money to organise family life in a calmer and more balanced manner.
“Tully” stands out above the more standard Hollywood fare, as an unusual, intelligent and suspenseful story. Yet, like Hollywood often does very well, it successfully bundles humour, drama and emotion. Strong writing, excellent acting performances and competent direction combine to hold the audience attention and emotion from beginning to end through some moments of uncomfortable viewing. Charlize Theron's understated performance as Marlo, a wife and mother on the edge of a nervous breakdown, trying to hold it together is outstanding, and McKenzie Davis is excellent as her not quite perfect young helper in the title role. “Tully” is worth a visit to the cinema.
Marlo (Charlize Theron) and her husband Drew (Ron Livingstone) live in the suburbs near New York City. They are in their late 30s and have two young children Emmy (Maddie Dixon –Poirier) and Jonah (Asher Miles Fallica), who has mild behavioural problems, and a third child is on the way. Like many middle-class families Marlo and Drew are just about managing financially. Drew is absorbed in his work project, while Marlo is struggling with her pregnancy and running the household. When Marlo’s financially successful brother Craig (Mark Duplass) offers to pay for a “night-nanny” to help Marlo through the first weeks of the baby’s arrival, she first says no, but later changes her mind. Tully (McKenzie Davies), the young attractive night-nanny arrives and not only takes care the new baby but also of Marlo. Thanks to Tully taking care of her physically and spiritually, Marlo for the first time in a long while has time to take a breath and think about herself and assess her situation in a new light. As Marlo revisits her life and younger self she becomes ever more confident and adventurous; but gradually her initiatives start to cross conventional lines and not only Drew is starting to question where all this will lead….
"Tully" succeeds as a personal drama with funny moments that puts the spotlight on the experience of a woman in an educated middle-class household in the US trying to raise kids and manage a family. Meanwhile her husband struggles to provide the financial means, a good university education and an expert-level white collar job. This being an American film, it simultaneously questions and celebrates the virtue of self-reliance rather than engaging in social criticism let alone in questioning of the economic system. In Europe, one cannot help but compare the situation Marlo finds herself in, with women in countries such as Sweden where generous provisions for parental leave are designed to give both mothers and fathers sufficient time and money to organise family life in a calmer and more balanced manner.
“Tully” stands out above the more standard Hollywood fare, as an unusual, intelligent and suspenseful story. Yet, like Hollywood often does very well, it successfully bundles humour, drama and emotion. Strong writing, excellent acting performances and competent direction combine to hold the audience attention and emotion from beginning to end through some moments of uncomfortable viewing. Charlize Theron's understated performance as Marlo, a wife and mother on the edge of a nervous breakdown, trying to hold it together is outstanding, and McKenzie Davis is excellent as her not quite perfect young helper in the title role. “Tully” is worth a visit to the cinema.
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